|
|
| ORGAN
#282> NOV 13th '08 - new issue here every Thursday afternoon |
| “"Many
were thrown in to the jaws of the player... |
And
we do want you to treat this as a weekly magazine for that is what it is,
scroll down and find the reviews and such...
That scatter gun time of
the week again, evolving as a tool of persuasion or communication? Can
a rabbit crack a nut with her teeth? Heels put away, no steps taken and
golden people drinking golden liquid over golden ice cubes and all floating
together in a beautiful pea green boat? Let’s make this clear, we are very
picky here, we do listen to a lot of things, everything is listened to
properly, we don’t review everything, nowhere near everything, we do listen
to everything properly though, yes Ma’am, we do we do we do, which is why
Thursday can sometimes become the early hours of Friday morning... Still
Thursday in Boston isn't? Still Thursday somewhere we're still on time
and this is an earthquake drill, those bats are overhead, drill your own
hole...
These are, once again, the
things that have been in our ears this week. So much good music around
at the moment, almost too much. Please explore and if it sounds interesting
then just hit the links and make your own minds up, our reviews and thoughts
are mere signposts designed to guide you to the things you might like to
feast on yourselves... don’t you just love the instant hit of the www.
This thing will not blow over, Contact and switch the other.. |
IS THIS WHY YOU BOOKMARKED ME? |
Is
it? For lemon or sugar or nothing that makes any sense? For links that
open electronic doors to fresh exciting music? New ideas? Creativity and
the art of doing it yourself? Still contacting and switching the other...
x
John on the phone... |
| ORGAN
ON YOUR RADIO - WEEKLY on SUNDAYS AT 9.00pm via RESONANCE 104.4FM
in London and worldwide via www.resonancefm.com
THE DETAILS, THE FACTS, THE LINKS.... Who got played this week? How do
you find our more? More details herex
1/intro:
TRANSISTOR SIX – Back Yard Rocketship (Blackbean & Placenta)
2:
ORIGINAL SILENCE – Crepuscular Refractions – Mystery Eye (Smalltown
Superjazz)
3:
BLACK ELK – Stab (Crucial Blast)
4:
MOHA! – Prog-o-rama (Rune Grammofon)
5:
FIGHT LIKE APES – Jake Summers (Fifa)
6:
ELEPHANT vs LEOPARD – We Are Alive (Genin)
7:
FRANK ZAPPA feat JIMMY CARL BLACK – Lonesome Cowboy Burt (Ryko)
8:
SAY BOK GUAI – Not All Chinese People Are Good At Maths (Edgetown/Monkey
King)
9:
ORIGINAL SILENCE – High Tree’s And A Few Bricks (Smalltown Superjazz)
10:
CHICKENHAWK – NASA vs ESA (Sound Devastation)
11:
TIME.SPACE.REPEAT - The Fear (Samu)
12:
THE PROCESS – Thee Chymical Wedding Ov Thee Process (Violent Change)
13:
LOYAL TROOPER – Division Street Blues (self release)
14:
TITANARUM – Ageing Quickly (Self Release)
15:
MARVINS REVOLT – Deliberate Deeds (The Richter Collective)
16:
THE COMPUTERS – S.O.S (Fierce Panda)
17:
SAY BOK GWAI – BasSick (Edgetown/Monkey King)
18:
F*CKED UP – Royal Swan (Matador)
More
details and links to all these bands and explinations as to why we chose
to play them and news of what they're all up to herex |
|
NEW ALBUMS WE’RE LISTENING TO THIS WEEK |
This
week the best new things we’ve been listening to were...
ALBUM
OF THE WEEK
AU – Verbs (Aagoo) – Oh,
now there’s all kinds of fertile things going on here; soothing things,
blissful things, things to tingle the imagination. Book-ended perfectly
at one end by the soothing bombast of a twenty plus person vocal chorus
and the other some forty minutes later by the hushed strains of wistful
lullaby. Au are from Portland Oregon and here on Verbs they stretch out
in a deliciously inviting, expensive and rather different way. They at
times taste of Sigur Ros at their creative best, they touch on Steve Reich
or Terry Riley, they’re never ever anything obvious though, Au are rather
unique. A wonderful understanding of the power of space and quiet and how
less is often so much more. At times they sound like they’re taking us
drifting on clouds, and then you find them sounding like one of those slow
New Orleans funeral jazz bands celebrating something or someone everyone
loved. Right now very soothing voices are easing us through a minimal piece
of gorgeously soothing indie pop – yes, blissful once more, everything
about this fine album is blissful. Lots of collaborations and all kinds
of guests from the ever creative Portland alternative scene, all makes
for a quietly evolving snapshot as different voices come and go. Elation,
meditation, mass hand claps and tingling tunes, bits that sound like the
prelude to an epic John Adams piece – orchestral textures, expansive brightness
– something rather unique happening here, something rather special, rather
organic and extremely beautiful – www.au-au-au.com
or www.aagoo.com
x
ALBUM
OF THE WEEK 2
BLACK ELK – Always A Six,
Never A Nine (Crucial Blast) - Dissonant metal wrecking and right there
in your pretty face with their complex mathy noise-baths. Portland’s Black
Elk have done it again and done it even more so this time around. Crushing
noise-rock and unhinged intense goodness of a Melvins, Black Flag, Jesus
Lizard nature and all through the awkward choppy math blender with your
last shred of decency and some crazed charging bull. Second album and a
follow up to 2006’s self-titled debut. Seething off-hinge goodness, good
band here. It isn’t all Melvins/AmRep revisited though, they’re building
on it all with details and colours of their own, details that are very
now. Bits that feel like Sleepytime Gorilla Museum, moments of bleak guitar
ambience, was that a piano? There’s a depth and a healthy detailed variety
to Black Elk’s mostly ferocious sound and this is an instantly impressive
second album. Oh yes, we’ve got another good one here... www.myspace.com/blackelk
or www.crucialblast.net
x |
ALSO
CHECK OUT
MARVINS REVOLT - Killec (The
Richter Collective) - Exceptional, instantly dazzling bright-eyed math
rock with a light, shimmering quality and glorious tunes. There's a pretty
obscure band in the US called Tera Melos who are near sonic soulmates,
but aside from them, nobody else does complex time shifts and gleeful playing
in fives and sevens with such ease and listenability. A three-piece from
Copenhagen, Marvins Revolt stand out from the stew of avant/math and so-called
post rock by way of their outstanding musicianship and some deliciously
easy on the ear vocals.
Originally released to some acclaim in their native Denmark, 'Killec' is
now re-issued by Richter Collective in the UK, where the band have been
touring energetically. Shifting, changing songs are sewn together
by tight, liquid-silk close harmonies - you could say they're the polar
opposite of that bloody annoying emo whinge affectation that way too many
UK vocalists assume is compulsory. Marvins Revolt's voices are more flavoured
by underground American avant indie like Rob Crow's Pinback, by Husker
Du and even hints of both the Byrds ...and Slint. The production
is a great balance between edge and warmth, the multi-layered arrangements
retaining crystal-clear depth; the tunes are anthemic and uplifting.
If there's a fault, it's that they tend to drive along with a similar hopeful,
breezy tone right the way through the album: still, each song is jam-packed
with detail and micro-songs and variations on that theme, and comes up
with odd little surprises of texture, a pastoral interlude or two.
Easy to picture them wow an audience of indie teens with their zing and
bounce and completely floor an audience of prog-heads with their throwaway
stop-on-a-dime virtuosity.
Appreciation from many quarters
is already winging Marvins Revolt's way, including an endorsement from
Japanese avant-prog outfit Lite, who are releasing 'Killec' in Japan –
www.myspace.com/marvinsrevolt
GEISHA – Die Verbrechen der
Liebe (Crucial Blast) - This is damn abrasive, a storm of white noise and
blown-out barbed blackness. Raw feral noise all the way from Bristol. Somewhere
in there are the noises a rock band should be making, along with the vocals
that sound lost in the magnetic shard-filled wastelands. A ferocious noise,
a sea of distortion and sludge-metal than now and then gives way to rest
and a moment of musical reflection before it all comes to the boil again.
Kind of like My Bloody Valentine without any of the ‘pleasant’ bits, that
doesn’t mean things are bad here. Just challenging in a hard-boiled abrasive
head messing metallic kind of way. And then there’s the ‘song’ titles like
Stop Talking, Let’s F*** or Cocktown And The G-Boys or Sportsfister or...
All that droning and the sharp bits and the conspiracy theory that bubbles
underneath the skin of the music and the corrosive skree and the percussive
pummel and we’re way up the river in to places the war hasn’t reached yet,
way past the DMZ with that last thirty minute track that has you lost up
there (or down there) with them. An immense sound, a shit-storm of a sound,
an edgy barbed skin-ripping sound, a disturbing sound, kind of like you’d
imagine what happens when good Melvins go bad – recommended – www.crucialblast.net
or www.myspace.com/geishanoiseresearchgroup
LORDI – Deadache (Sony) –
The Finnish monster-rockers are back with more of their melodic bombastic
over the top comic book horror film larger than life tongue in cheek Euro
metal. All Rob Zombie white faced monsters and 80’s metal over the topness.
Nothing that quite touches on the glories of the Arockalypse this time
around though and pretty much what you’d expect another Lordi album to
sound like really – www.lordi.org
FUZZY LIGHTS – A Distant
Voice (Little Red Rabbit) – Warm textured mellow easy Americana and folk
that drifts in a delightfully lazy way in to a foggy field somewhere near
post-rock purity. Fine creativity that heads in to different areas, blissful
textures, floating notes, inviting warmth, mostly instrumental, dreamy,
vocals that occasionally appear through the haze and the mist and the slowly
evolving soundscapes, reverb soaked gentleness, mournful guitars and violins,
nothing is rushed, everything is deliciously crafted and always inviting
– www.fuzzylights.com / www.littleredrabbit.co.uk
THE NOTORIOUS HI-FI KILLERS
– New Spirituals (Noisestar) – Authentically faithful 60’s/70’s none more
retro English blues rock, heavy blues rock from South London. Recorded
live is a studio for a radio session and released as a limited edition
vinyl only release of 500. A mix of live favourites, new tracks and cover
versions including the 13th Floor Elevators’ Reverberation and Freddie
King’s classic Going Down. All blue cheer and righteously uncompromising
– www.noisestar.co.uk
NORTH SEA RADIO ORCHESTRA
– Birds (Oof!) - It needs to be said, because no one ever does, the North
Sea Radio Orchestra are very influenced by that delicate, much loved Cardiacs
offshoot known as the Sea Nymphs (and indeed even more so by Sea Nymphs'
early eighties' incarnation, Mr & Mrs Smith and Mr Drake). No accident
of course, for North Sea Radio Orchestra leader Craig Fortnam was part
of the camp following back then and, via his part in Lake Of Puppies (and
later Shrubbies) with one William D.Drake, pretty much part of the extended
Cardiacs family – not as “wholly unique” as some would have you believe,
then, (there are dues to be paid, things to be acknowledged). That said,
North Sea Radio Orchestra are blossoming in a rather fine way now with
their inviting mix of delicate English prog and 20th Century classical
pastoral folk. Harmonically rich and fluid in a Henry Cow, Art Bears, Incredible
String Band kind of way (quite a bit of Stars In Battledress in here as
well). Recorded at (Peter Gabriel's) Real World studios and Tim Smith's
Apollo 8 in the depths of Wiltshire by ex Cardiac Mark Cawthra with additional
production from Tim Smith (leader of said Cardiacs and indeed Sea Nymphs).
A fine mix of delicate English folk and something that has evolved out
of fine traditions of chamber music. Acoustic tunes, woodwind, violins,
clarinets, bassoon, oboe, solo voices and ambitious choral pieces. 'Personent
Hodie' is a highlight: their version of a fourteenth century canticle,
arranged quite delightfully... you may know it as a hymn called God Is
Love, His The Care, and their version carries on the tradition of evolving
hymns in a rather moving way. 'Move Eastward, Happy Earth' is quite
uncannily like Mr &Mrs Smith and Mr Drake, to the point it wouldn't
surprise to hear the aforementioned Drake had a writing hand in it (no
detailed notes on this promo copy, so it may well be another early music
arrangement).
'Birds' is an album pulling gently in two distinct ways. One direction;
nice, simple, sitting in a sunny field, female-voiced acoustic folk, the
other towards a rarer thing, this fusion of English medieval progressive
classical, chamber orchestral music, via Vaughn Williams, Cardiacs, Vernon
Elliot, Henry Cow. In the end, it all works as a melodic spirited integral
classical whole. Always more than just decorating modern music with classical
instrumentation, at its core a real orchestra, this is something that’s
both timeless and enchantingly beautiful – a very fine, very enjoyable
rather magical album. www.nsro.co.uk
x |
TIME.
SPACE. REPEAT – Lost Transmissions (Samu) – Last transmissions from the
London band? Who really knows? What we do know is that they’ve been one
of London’s best kept secrets for a couple of years now with their mellow
space rock expanse and their sense of dramatic quiet. Their blend is a
refined glow of shoegazing slowcore space rock and moody Radioheadedness,
and yes they do so hate the Radiohead comparison, it really can’t be avoided
though, and we’re not talking clones here, no no, just that expansive epic
feel, and the delicate Englishness, the restrained mood. An album’s worth
of sometimes inward looking reflective slowly uncoiling delicate epicness.
Titles like Disaster Song or End Of The World or Who Will Save Us Now will
give you a few clues about that sense of late night emptiness under the
glow of orange lights and the whispers. If this is to be their last transmission
then don’t let it pass you by as it all comes tumbling down – a recommended
treasure from underground London. www.myspace.com/timespacerepeat
x |
PARTS & LABOR – Receivers
(Jagjaguwar) – From Brooklyn New York with an American alt.rock experimental
(not too experimental) sound that’s evolving rather nicely with this their
latest album. Yes they do have their roots in those melodies of Husker
Du or Minutemen, it really is those details though, those bits of electric
that arc in the sunlight, those bits of prog flavoured alternative noise-pop
and the bits that sound like My Bloody Valentine might have done if they
too had been from Brooklyn. The details and the experiments never hinder
the tunes though, the songs are where it is, songs that grab from the off,
especially the subtle rush of that opening track Satellites, songs that
allow the strange experimental moments and the distractions down sidestreets
and at those wasteland weddings to work. Parts & Labor have a euphoric
sound, a bit of a musical cloudburst and a rather recommended, rather clever
album – www.jagjaguwar.com
or www.myspace.com/partsandlabor
ELEPHANT vs LEOPARD – Safariland
(Genin) – A sonic rumble of a band, in your face, on your toes. Raw and
confrontational in a No Means No fronted by Henry Rollins kind of way -
if Rollins was to be some shifty character from the wastelands of Southern
England and his band recorded their choppy punk rock out in the back cow
shed of some farm they broke in to that is. Beautifully violent and confrontational,
a dense rolling bone-shaking sound, chopping and changing in that awkward
way that fluid bands of a No Means No, Monkey Boy, Muy Feo nature do (or
did, this sounds almost nostalgic! In the best of ways of course). Punching
you in the throat, dropping your jaw, tell me more, chlamydia in the post?
And the fires of hell as a summer’s retreat? Say my name he screams. Faith?
No more, and bleeding down your chin, one more straw? This is good, no
camel’s back breaking here, you won’t have seen this coming, you never
do see it. One more straw, this is very good. They’re a wired up three
piece from Peterborough and they formed in what they say was the particularly
horrible summer of 2006 in the back room of a shed on a farm and this is
an excellent debut album. We are alive, look me right in the eye, all the
kings horses and all the kings men, run for the hills, we’re going nowhere,
they are alive. Yes. – www.myspace.com/elephantvsleopard
ATTACK! VIPERS! / ASTPA –
split album (We Heart/Laserlife) – Split album, Attack Vipers from England
with some raw blustery throat ripping screamo beano modern hardcore blasting
and Astra from Austria with some raw blustery throat ripping meano beano
old school clank-along gruff tuneful punk rock. Four tracks each, they
compliment each other well – www.weheartrecords.co.uk
CATAMENIA – VIII:The Tim
Unchained (Massacre) – Powerful black metal from deepest Finland, more
of their colourfully aggressive extremities. You get a little more depth
from Catamenia, nothing that revolutionary, decent enough extreme metal
that comes with a little bit of character – www.massacre-records.com
ARTABAN – Landscapes
- An album’s worth of mellow electronic flow-scapes and easy on the ear
glow all the way from Luxembourg. Kind of slightly more “now” kind of take
on Tangerine Dream via Kraftwerk with bits of refined glitch and squelch.
All very pleasant, simple, and rather nice should you be in the mood –
www.artaban.lu
x |
KARL
BLAU – Nature’s Got Away (K) – Mellow U.S alt.folk and simple lo-fi songs
about the diets of Mockingbirds and their eating of black widow spiders.
The scratching on strings, the grain of the wood and all recorded at the
Dub Narcotic studio – it feels like something that would be birthed via
Dub Narcotic. Rough and raw and gentle and simple and nature taking it
out there – www.krecs.com or www.myspace.com/karlblau
or find it in the UK via www.cargorecords.co.uk
THURSDAY / ENVY – split (Temporary
Residence) – Three tracks from Envy and four from Thursday. Envy do the
epic/glitchy/slowly building the dramatic sky touching big climax thing
that now is really far to familiar while Thursday do the pretty much the
same thing only from a different starting point and with loads of that
whiny-voiced indie emoness thrown in. Both bands sound like followers rather
than the innovators they may once have been here, all harmless stuff if
you don’t mind the telegraphed moves that you know are coming and you can
put up with some of those dreadful Thursday lyrics – we hold our hopes
like cigarettes? I really do hope I heard that lyric wrong and I really
don’t want to have to go back there again, I already went back twice, nah,
surely not? No one could come up with a line that bad? The usually rather
good Temp Res label dropped their standards this time around, Envy have
their moments... www.temporaryresidence.com
ORESUND SPACE COLLECTIVE
– Oresund Space Collective (Transubstance) – Mellow flowing progressive
space rock of a relaxed Ozric Tentacles nature, but of a jazz-fusion undercurrent,
fluid synth lines and space jams that flow with ease – www.oresundspacecollective.com
PARAGON – Screenslave (Massacre)
– Typical Germanic Accept/Iron Maiden sounding metal should you want it
- solar winds blowing in their hearts, bloodfeasts and such – www.massacre-records.com
FIFTYWATTHEAD – Fogcutter
(Signed By Force) – Seething locked on stoner-edged metal mountain moving
from Canada. A Melvins/90’s AmRep no messing kind of vintage amp fuelled
beast of a metal band, iron clad fog cutting neurosis and good for your
head heaviosity - www.signedbyforce.com
or www.myspace.com/fiftywatthead
CLOSER – A Darker Kind Of
Salvation (Pulverised) – Extreme goth flavoured death black whatever the
hell metal, relentless cram everything in with bombastic keyboards and
the forever riffing technical metal guitars weaving in and out of the cookie
monster vocals once more – same as we’ve heard and heard and heard again.
Same old extreme clean cut mix of technical death and thrash and black
goth bombasticness and I really do fail to see why so many of these extreme
metal bands just want to conform like this. Professional enough, well played,
decent production, kind of wonder what the point is though? www.pulverised.net
ADRENALINE – Castrum Dolores
(Casket) - Oh, what is the point? Why are there so many metal bands just
content to churn it out, hundreds of them every week releasing the same
damn album. This lot are from the West Midlands of England, they could
be from anywhere in the world – same old second division aggressive “brutal”
modern thrash metal. Adrenaline are as good at it as any of them, professional,
decently enough in terms of production and not a hint of any musical personality
– just more heavy metal rule obeying uniform wearing gutless conformity
and no hint whatsoever that they night stay from the blueprint, what the
hell is the point? Why do these labels churn this stuff out? More heavy
metal baked beans same as all the other heavy metal baked beans - www.myspace.com/adrenalinerock
X-VISION – So Close, So Far
(Dirty 8) – See above, more modern heavy metal conformity and standard
issue “precision” and “brutality”. X-Vision are from Metz, North West France,
they could be from the West Midlands of England, or South California or
Buttf*ck Arizona or pretty much anywhere yet again. Their “intense” metal
does occasionally threaten to try and break a rule, never quite does though.
More “professional” “well produced” modern brutal same as all the others
metalcore and I’m getting a little bored with it... www.myspace.com/xvision
ALBUM
REVIEW ARCHIVES |
LIVE |
GUNPOWDER,
CLASS WAR & PLOD - The bonfire bit of the Class War Bonfire Party at
London Fields last Wednesday night didn’t exactly happen this year, but
that’s not to say that sparks didn’t fly. 200 people or so turned up at
the park and in the nearby pub to ‘remember, remember, the fifth of November...’
They were met by up-for-it cops – as well as a few blatant undercover plod
too.
After
one van of firewood was confiscated, a second appeared, only to be searched
and warned off from entering – so no bonfire. A few beers later, revellers
sent police in all directions as they left the pub in two columns to reach
the park for the fire-show. Someone let off a firework - only to be jumped
on by police - but after a scuffle they managed to de-arrest her.
The
next bout of trouble kicked off when sparklers were handed out and lit
up, and police waded in trying to seize them. A brawl erupted, leading
to more arrests, which were quickly de-arrested. While this was going on,
others let off a few small rockets near another group of police, but avoided
arrest after a chase.
The
undercover police were easy to spot: they were the ones with radios which
kept going ‘Crrrrkkk - charlie tango oscar moonbeam four, over, crrrkk’.
The old bill said that they were enforcing a Hackney parks by-law forbidding
the use of fireworks in London Fields. In response, people moved further
out into the park, letting off their explosives with hilarious consequences.
In total two were arrested, with many more de-arrested. Another fine evening
of local park by-law enforcement and squiffy scuffling. Meanwhile elsewhere
in Hackney there were quite probably a number of beatings, robberies, burglaries,
maybe some rapes and muggings. (SchNews)x |
| Live
previously - F*CKED UP / ROLO
TOMASSI / TO THE BONES
/ SHEARWATER / 12
DIRTY BULLETS / TO
THE BONES / THE
BOBBY McGEES / ROSE KEMP
/ ANARCHISTWOOD / RUDE
MECHANICALS / GIRLSCHOOL/
BONKERSFEST
‘08 - NOUGHT /
GERTRUDE
/ BLUEZZ INTOXICATED / FIGHT
LIKE APES / ZAG
AND THE COLOURED BEADS /
DRIVE-BY
TRUCKERS / VILE
IMBECILES / QUEEN ADREENA / PURE
REASON REVOLUTION / HARVEY MILK / OXBOW
LIVE
REVIEW ARCHIVES |
THINGS TO GET SHOUTING ABOUT? |
We
never ever shout about anything much, others are shouting about pay to
play and thing over on the Organ FORUM
though, some people are even talking about music and shouting about the
things they're doing, listing gigs, telling us about their zines and what
they're enjoying this week..
x |
SINGLES |
SINGLE
OF THE WEEK
THE
DEIRDRES – Milk Is Politics / Sir Michael Of Aspel (Cherryade) - All eggy
worry and sky falling in on culture and lips touching lips and sit with
me, listen to this, and they promise the sky won’t fall in and all politics
will be good and no balloons will be tied down. I am, he is, they are,
she is, he, she, it, is...An enchantingly shambolic seven piece shouty
indie-pop riot from Derby. The soundtrack for when it all goes wrong on
Sesame Street and vile vile creatures invade those Bobby McGees. Nothing
vile here though, happy happy creatures with flying paint to colour the
insides of your very best dreams. And you can’t count your chickens what
with eggs with double yokes an’ all. All kinds of hedonistic DIY pop goodness
and strange instruments and joyous tunes that do sound dangerously addictive,
and full of all the best verbs and balloons and home made DIY goodness.
They’re fun like the Go Team are fun, or the way The Bobby McGees are fun.
Spontaneous fun fun fun and shouty musical interludes to soothe the fevered
brow, love it love it love it... www.thedeirdres.com
or www.myspace.com/thedeirdres
or www.cherryademusic.co.uk
ALSO
CHECK OUT
DR.
SLAGGLEBERRY – Tuc Into The Tar EP (Crash) - Something missing this time
around? What is it, ah yes, where’s the frontman with his yelping and his
box of glitching electronic tricks? Still good mind you, this time around
we get three frantic instrumental tracks – math-metal twitching and switching,
a kind of F**king Champs, Orthrelm progressive beast that now and again
glides before galloping off again (anyone remember Anvil’s March Of The
Crabs?). Galloping with their jazz-maths and all their energy. Still really
good, one of the best bands in England right now, lost that little something
this time around though – www.myspace.com/drslaggleberry
TITANARUM
– Spastis Progressivus Aggressiorum (self release) – A blasting stinking
bloom of a six track seven incher from San Diego, California. Alive with
the flowery smell of rotting corpses and the swarms of circling flies that
are attracted to these kind of things. Six slices of no messing fast old
school proper thrashing blistering fast fast fast hardcore punk fuggin
rock (and not a clothing company endorsement anywhere to be seen). Spawned
from the fallout of bands like The Neighbors, Life Crisis and RMSD. Six
short sharp explosive punk rock strikes – loud, blistering, charged and
these people obviously think some things in life should never change and
have no intention of mellowing out or slowing down anytime yet. Nice one,
proper blistering splattering hardcore punk rock – www.titanarum.net
CLINIC
– Tomorrow (Domino) – Pie charts that’s become a little more clear and
Clinic get a little bit further out there with their rather unique, rather
refined, sublime and slightly scratchy slightly spaced lo-fi new wave Kraut
rock blues. Comes with one of those long funky remixes that DFA like to
do and a slightly sinister third track called Hijack, good to discover
Clinic are still challenging themselves and doing it well – www.clinicvoot.org
TODD
RUNDGREN – Strike (Cooking Vinyl) – Todd Rundgren does modern sounding
Brian rather than Bon style AC/DC and does is well, not really what you
want from Todd though is it? www.cookingvinyl.com
/ www.tr-i.com
THE
AMSTERDAMS – Automatic EP (One Music) - From Romania with some clean cut
indie pop of a Young Knives nature – www.myspace.com/theamsterdams
BETTY
& THE ID – Neutron World (self release) – One of those organ driven
lo-fi psychedelic garage bands, kind of Fuzztones via bits of very early
(The) Pink Floyd. There were lots of bands like this around in the 80’s
doing a kind of 60’s thing down at places like Alice In Wonderland or TheCrypt,
wonder where they all went? Betty say they have a 66/79 tension and yes,
that’s not far off (or far out), although they really don’t look that “far
out” and it really isn’t that tense. They sound like one of those Mood
Six bands with a bit of Hawkwind in there, they’re pretty good at it. Four
tracks, limited edition of 200, they’re from the midlands, busy playing
Birmingham and such – www.bettyandtheid.com
Last
week's single of the week - THE MINIONS
Previously
- LOYAL TROOPER / ALISON
O’DONNELL / SPEECH DEBELLE / OVER
THE WALL / THE RAYOGRAPHS / THE
KABEEDIES / VOICEsVOICEs / THE
QUARRY / F**K BUTTONS / THE
ALL NEW ADVENTURES OF US / FRIGHTENED RABBIT
/ THE PAINS OF BEING PURE AT HEART / DARK
CAPTAIN LIGHT CAPTAIN /
PRINTS
SINGLE
REVIEW ARCHIVES |
DEMO TIME |
We're
just going to tell you about the very very best once a week, no more time
for the average, only the most exciting - we're very very selective, when
we tell you it's good then it really is goooooooood...
DEMO
OF THE WEEK
Many
were thrown in to the jaws of the player, some were rejected outright,
some made it back on to the pile to be given another go tomorrow or the
next day, we do listen to every single one... we are picky though...
Last
week's demo of the week - RIOTGOD
Previous
demo's of the week - CUTTHROAT CONVENTION
/ INERTIA BLOOMS / SID
SINGS / GIRO JUNKIE / THE
ATROCITY EXHIBIT / SEA SICK / COUNTRYSIDE
/ MY SIDE OF THE MOUNTAIN / GRASSCUT
/ COP ON THE EDGE / WILD
DOGS IN WINTER / THE LAZY DARLINGS /
DEBUTANT
/ ARCS OF RED / LE
GALAXIE
DEMO
REVIEW ARCHIVES |
'THIS
WEEK’S FREE DOWNLOAD... |
Oh
look, we can't point you at one every week, you'd just take it all for
granted, and it is late and.... hang on, chew on some BLACK ELK, they've
got a couple of downloads from that album of the week up there right now
on the Crucial Blast news
page. Delightfully at your throat noise-math-metal goodness from Portland
PREVIOUSLY
- MADE IN MEXICO / THE
BUG / TEMPORARY RESIDENCE / WOODBOX
GANG / ALTERNATIVE TENTACLES / EX-GIRL
/ DELIA DERBYSHIRE / F**KED
UP / THE REVELLIONS / LIZ
PHAIR / OASIS /
THE
CLOUD ROOM / HERZOGA
/ THE MELVINS / SHEARWATER
/ THE REAL McKENZIES
/ VAN DER GRAAF GENERATOR
/ SIGOR ROS / VASECTOMY
EGGS NAILER |
'RE-ISSUE/best
of OF THE WEEK |
BBC
RADIOPHONIC WORKSHOP - A Retrospective (Mute) - Listening to this
immaculately compiled double album straight through is nothing less than
hearing evolution in action. It starts with tiny, lonely, blobby sounds,
the first amoebas of existence, way back in 1958 and the dawn of time -
a fragment of Daphne Oram's composition for a television comedy.
By 1960 these sonic critters have evolved to the sea-squirt stage: a little
more complex, more like creatures we recognise, still strange and hauntingly
simple. Then comes a veritable Burgess Shoals of creativity (yeah, I know,
but I'm having far too much fun with this metaphor to stop now) as different
composers dived into this pond: women and men with backgrounds in avant
jazz and classical composition and steeped in the energy of the pop culture
of the times, people who really knew how to construct a tune or, equally,
rich musique concrete. A unique place and time: the publicly funded
resources of our beloved BBC making an enlightened space for true creativity,
not for some obscure arthouse clique, but for the varied ears of an entire
nation. With a brief "to produce imaginative sound for radio productions"
it seemed that nothing was put in the way of the talents of these people
- no focus groups, no weight of music history, nothing but a blank canvas
of a bright future and a ready-supplied stream of stimulating challenges.
Oh, and some magnetic tape, and soldering irons, and ...after over a decade...
eventually... a synthesiser! (No mere Moog, but a monstrous EMS VCS3).
(Ooh, and it says here then they got a Yamaha CS80 - the Organs got given
one of those things, but it completely occupied every inch of the lounge
in our shared house and had to go...).
A good proportion
of us reading this will have been exposed to the finest music of the BBC
Radiophonic Workshop, burning its way into the aural centres of our brains
in our formative years. It sounded futuristic and puzzling and thrilling
and often inexplicably terrifying then, and still does now.
Between the
tape-slicing era and the arrival of the digital synths, there came the
analogue-synth theme tunes and idents that appeal to those of us with a
dirty love of proggy things... or should it be the other way round?
An analogue synth (and valve amps and tape-loop echo) has appeal on two
levels: some will hear a certain era, others just a pleasure in the fractal
detail, organic randomness and sheer oomph that's intrinsically part of
the sound.
This retrospective carries through to the final days of the Radiophonic
Workshop in 1997, the point at which the BBC decided that hiring freelance
musicians was cheaper than having an in-house stable. When the output of
the BRW was being created using standard synths and computers, you ended
up with talented arrangers such as Elizabeth Parker then moving into very
decent but not that groundbreaking orchestral soundtrack work... and certain
other composers instantly dated by unpleasantly overused digital
preset sounds, the introduction of soft porn saxophones and not terribly
imaginative writing (you need that avant-jazz/classically trained background
to pull off that).
So is the Radiophonic
Workshop dead? Of course not. Aside from a huddle of very dedicated and
loving individuals who have been looking after the legacy of the old and
magical machinery, and the massive archive, there is a legacy of a generation
who grew up exposed to its experimentation and sonic freedom. That
true spirit can be heard seven days a week across London broadcast on Resonance
104.4, a radio station born out of the UK's very active improvised electronica
avant garde scene: sound for sound sake, and not a focus group in earshot.
– www.mute.com
Previously:
MARILLION
/
KUNG FU SUPER SOUNDS
/ VOORHEES /
EXODUS
/ DEATHROW/
THE
GATHERING /
BLACK DIAMOND HEAVIES
/
CLIFF / KILLING
JOKE /
THE SAVAGE RESURRECTION / BLACK
REBEL MOTORCYCLE CLUB / DOOM / LIFE
OF AGONY / DEAD HEAD / DAVID
BOWIE / STUPIDS / AMEBIX |
MEDIA, VIDEO, PRINT AND.... |
TATTOO
SOUP: A COMPENDIUM OF THE GLOBE’S MOST UNIQUE TATTOOS (IMP)
Now
don’t be asking us about tatoos, you’re not seeing where mine is, go ask
these people:
“Tattoo Soup will be recognised as an important book that we’ll look through
over and over again, for years to come? ... Phil Kyle of London Ink
It’s nigh on impossible not to fall in love with the simplicity of Tattoo
Soup? Upon occasion, simplicity needs no justification, only admiration?
... Skin Deep Magazine
What
is Tattoo Soup?
Tattoo Soup is the first book of it’s kind, a completely self-generated
collection of some of the world’s most unique tattoos
What do you mean by self-generated?
All of the tattoo photos in the book were collated via social networking
sites, chat rooms, message boards and viral word of mouth. The self-generated
nature of the book means it is a world first in publishing and, by definition,
guarantees the final book is stamped with absolute authenticity. Members
of the public have submitted work by such world-renowned international
tattoo artists as Phil Kyle, Louis Molloy and Nikole Lowe of London Ink,
Jo Harrison, Mo Coppoletta, Chad Koeplinger, Hannah Aitchison of LA Ink,
Bob Tyrrell, Steve Byrne, Tim Kern and Nikko Hurtado. A selection of over
200 images stretches from the cities of London and Manchester to the leafy
countryside of Great Britain, from the cultural melting pot of Europe to
the bustling streets of Beijing, from the skyscrapers of NYC to the colourful
diversity of South America.
The idea of a book compiled in the way this one has been isn’t new, the
process does fit in with the subject matter perfectly though, getting people
to send in thier imagery from all over the planet. A snap shot of tattoo
culture and people from all over the world sending in pictures of their
tattoos – from anonymous “home-made” looking creations that you really
do wonder about, to wonderfully impressive looking Western high art and
back again. Why would anyone want a London Underground sign for the Bakerloo
Line on the back of their neck? Apparently some of the finest tattoo artists
have contributed. This is a classic coffee table book, it works like some
of those graffiti art books do, or those album cover books do, you dip
in and explore and find something new each time. you just flick through
and now and again stop – and yes, in years to come this will be seen as
a fine record of now as far as the art of tattooing goes. Well worth your
time if the subject interests you, highly recommended of tattoo art is
your thing. A fine book, well compiled, authoritative and recommended -
Youtube
book trailer: youtube
www.myspace.com/tattoosoup
www.impbooks.com
PREVIOUSLY
- TAURID METEOR SHOWER
/ BLACK'N'READ ALL OVER / MAXWELL
DAVIES ON DUMBING DOWN / ACT ART 6 - DYING
FOR IT! / DAMIEN HURST / JOE
MEEK / IMPROV EVERYWHERE
/ AARON KRATEN / HURRA
TORPEDO / BOOK:
THE STOOGES – A JOURNEY / JUNK
SALES:SLAVES OF NEW YORK
/ BITTER PIE / SF
ZINE FAIR / GIANT
PAW – ART CARD SERIES |
|
THE END BIT... |
| ...And
Finally..
Schhhhhneeeeews?
What's that? - go see, where would we be without the balance that SchNews
offers, not saying that they're always right, not saying we agree with
everything thay say, we agee with a lot though and everything should be
questioned, damn glad they're there to throw out a question or two and
tell us what's really going on out there - www.schnews.org.uk
libcom.org
is a resource for all people who wish to improve their lives, their communities
and their working conditions.
Meanwhile
to download (free) and watch a selection of SchMOVIES short films click
here
-
www.schnews.org.uk/schmovies
THE
ORGAN MAILING LIST - If you want to be on the ORGAN/ORG Records e.mail
list then you need to get in touch E.MAIL HERE.
|
| PAST
ISSUES...
ORGAN
281 - F**KED UP, ROLO TOMASSI, MoHa!, SEMAPHORE, THE MINIONS, CHICKENHAWK
TROST, MAGNOLIA, LEFT TO VANISH, FREDRICK STANLEY STAR, HEADLESS HEROES,
TORTUGA, THE BOAT PEOPLE, BARR, SAMMY HAGAR, BORN FROM, ROB HIMSELF, THE
DeRELLAS, THE RACE, CONOR OBERST, DEPARTMENT S, MARILLION, 11:59, GHOSTFIRE,
HANDMADE & BOUND...
ORGAN
280 - AIDS WOLF, THE PROCESS, RIOTGOD, SLITVEIN, TO THE BONES, LOYAL
TROOPER, ALISON O’DONNELL, THREATMANTICS, DARK CAPTAIN LIGHT CAPTAIN, EARTHLESS,
CROWPATH, THE COMPUTERS, MIA VIGAR, BRIMSTONE HOWL, SATYRICON, THE ESTRANGED,
MERCURY REV, AS EDEN BURNS, SUPERSUCKERS, CARNAL DECAY, PSAPP, DANKO JONES,
JOHNNY COLA & THE A-GRADES, UNFOLD PRESENTS: TRU THOUGHTS HIP HOP,
KUNG FU SUPER SOUNDS, MADE IN MEXICO, KOSMISCHE, DESERT MUSIC SCHOOL BENEFIT....
ORGAN
279 - DEERHOOF, MARTIN ORFORD, CUTTHROAT CONVENTION, SPEECH DEBELLE,
OVER THE WALL, SOUTH CENTRAL, MAYORS OF MIYAZAKI, DIAGONAL, CONSOLATION
PRIZEFIGHTER, DAN BAIRD & HOMEMADE SIN, THE RAMPTON RELEASE DATE, NANAS
REVENGE, DISTANCE TO FAULT, MARSHALL LAW, SPEED THEORY, JUD, SOLITARY,
FAILSAFE, EASTER, THE ACORN, FROM MONUMENT TO MASSES, STONE GODS, VOO,
EDO BRIGHTON PROTESTS...
ORGAN
278 - ORIGINAL SILENCE, INERTIA BLOOMS, TRANSMISSION, REPORT SUSPICIOUS
ACTIVITIES, THE RAYOGRAPHS, ABIGAIL WILLIAMS, THE BEDROOM PROJECT, MISPELT
(TWOPOINTZERO), MONKEY FIGHTERS, EXODUS, BONNIE PRINCE BILLY, PAUL J.ABBOTT,
DEERHUNTER, KILL THE CLIENT, RAY, HELGRIND, MARTUTA, ROBIN TAYLOR, INCASSUM,
FLOWING TEARS, DANIEL LAND & THE MODERN PAINTERS, THIS OR THE APOCALYPSE,
I HATE KATE, AIRBOURNE, EXIT CALM, THE PADDINGTONS, SILVERY, MAYBESHEWILL,
HER NAME IS CALLA, WE ROCK LIKE GIRLS DON’T, HAYMAN WATKINS TROUT &
LEE, MAXWELL DAVIES...
ORGAN
277 - yeah yeah, a non stop operation....
ORGAN
276 - Oh go have a look, do we have to list it everyweek, we had loads
of great stuff last week, classic week for new music...
ORGAN
275 - GRAILS, BEATGLIDER, THE ATROCITY EXHIBIT, TO THE BONES, SEA SICK,
F**K BUTTONS, STE McCABE, THE BARDO, GENTLE GIANT, THE ALL NEW ADVENTURES
OF US, HANSON BOTHERS, RUMORS OF GEHENNA, ACID MOTHER TEMPLE & THE
COSMIC INFERNO, JMC, P.G.LOST, UGLY STICK, A TEXTBOOK TRAGEDY, NO RETURN,
TRIVIUM, AMANDA PALMER, THE DeBRETTS, TEMPORARY RESIDENCE...
ORGAN
274 - UNIVERS ZERO, HAUSCHKA, COUNTRYSIDE, MANIQUI LAZER, MAB, MILK
ROAR, HYDRA, MAGICIAN, KIMYA DAWSON, STRIBORG, ROSE KEMP, VOLBEAT, THE
BOBBY McGEES, THE MAY FIRE, MOOSE FACTORY, PRO-PAIN, TRIP LAVA, A
POETIC YESTERDAY, LORD BELIEL, FRIGHTENED RABBIT, FROM PLAN TO PROGRESS,
BOWERBIRDS, BLACK DIAMOND HEAVIES, DAMIEN HURST, CLIFF'S SINGLE, ALTERNATIVE
TENTACLES...
ORGAN
273 - CONSTANTINES, WOODBOX GANG, RA RA RIOT, MY SIDE OF THE MOUNTAIN,
PERHAPS CONTRAPTION, AMANDA PALMER, BYE BYE CANDY, OF THE I, RUDE MECHANICALS,
ANARCHISTWOOD, GIRLSCHOOL, ICED EARTH, ICED EARTH, BLOOD CEREMONY, TONAL
OAK, SOULS, FALLEN, PURE INC, BULLET, THE PAINS OF BEING PURE AT HEART,
DARK CAPTAIN LIGHT CAPTAIN, THE TAMBORINES, EX-GIRL, DESTINATION:OBLIVION,
JOE MEEK....
ORGAN
272 - YOUNG WIDOWS, AMANDA PALMER, EHNAHRE, GRASSCUT, PRINTS, THE FRENCH
QUARTER, POPE JOAN, THE VERVE, BUFFALO KILLERS, MISERATION, DRAGONFORCE,
THE MONO EFFECT, BONKERSFEST ‘08, NOUGHT, GERTUDE, TO THE BONES, ROLLINS,
BOBBY BARKER, ONE TRUE DOG, BLUEZZ INTOXICATED, RAGE AGAINST THE MACHINE,
F*CKED UP, IMPROV EVERYWHERE, CLIFF...
ORGAN
271 - LUSTMORD, SLIPKNOT, LOVELY LITTLE GIRLS, AARON KRATEN, FIGHT
LIKE APES, TOY GUN COWBOY, IMMERSION COMPOSITION SOCIETY, PICTURES PAINT
WORDS, LITTLE JACKIE, RUBY THROAT, TO THE BONES, THE MIRIMAR DISASTER,
AGRYPNIE, CITY 13, LORDS OF BASTARD, THE DONKEYS, GOLDBLADE, BROKEN SOCIAL
SCENE PRESENTS: BRENDAN CANNING, BLAND BLADEN, EUREKA MACHINES, BRIAN WILSON,
PETALS ON A WET BLACK BOUGH, NARRATION, KISSING KALINA, THE REVELLIONS,
KILLING JOKE...
ORGAN
270 - HEY COLOSSUS, ROSE KEMP, MOTORHEAD, COP ON THE EDGE, GNOMES OF
ZURICH, LITTLE JACKIE, JOY OF SEX, GNAW THEIR TONGUES, GEOFF SOULE, UNDERGROUND
RAILROAD, JAGUAR LOVE, HELLFIRE, CRUISER, THE CHAIR, GORGOROTH, SONNY,
REGURGITATOR, LAGWAGON, MILLENNIA, UNBUNNY, TZUN TZU, SUPENIK, ZEBRAHEAD,
MOURNING RISE, SINISTER, THE BIKINI BEACH BAND, ZAG AND THE COLOURED BEADS,
WHIMWISE, SUSAN GEORGE BOOTH, SERGEANT BUZFUZ, POPE JOAN, FOUR DEAD IN
OHIO, THE VIEW FROM BELOW, THE INCONSOLABLES, THE SAVAGE RESURRECTION,
LIZ PHAIR, BLACK REBEL MOTORCYCLE CLUB...
ORGAN
269 - VESSELS, DRIVE-BY TRUCKERS, ELEPHANT 9, ART IN EXILE, WILD DOGS
IN WINTER, DISSENTIENT REVOLT, TONAL OAK, THE STRIPPER PROJECT, GUTZ, 31KNOTS,
INDIAN JEWELRY, KASAI ALLSTARS, NEW MECANICA, LONELY GHOSTS, AGNOSTIC MOUNTAIN
GOSPEL CHOIR, RYE, RYE, LAST HARBOUR, THOSE WHO BRING THE TORTURE, RE-RENAISSANCE
OF THE CELTIC HARP, BEN MARWOOD, VALKYR, EGEBAMYASI, THE CLOUD ROOM, HURRA
TORPEDO, FIGHT LIKE APES...
ORGAN
268 - DOSH, VILE IMBECILES, QUEEN ADREENA, Z's, MOGWAI, DDD, ISOR,
PURE REASON REVOLUTION, BRIAN JONESTOWN MASSACRE, HEAVY HEAVY LOW LOW,
SOUTH, SILVERY, THE LAZY DARLINGS, THRACIA, LATE OF THE PIER, FANTASY BAR,
BLACK FLAME, THE VERVE, HERZOGA, THE STOOGES, FIGHT LIKE APES...
ORGAN
267 - KAYO DOT, SHEARWATER, OXBOW, HARVEY MILK, ONE DAY AS A
LION, KONG, DEBUTANT, IDIOT SAVANT, THE JET BOYS,
NADJA, THOMAS FUNCTION, SEBASTIAN BACH, ORGHIA, SANCTORUM, GROUND
MOWER, DISARM, RON FRANKLIN, BETTER LUCK NEXT TIME, SABATRON, KAROSHI
BROS, THE VIVIANS, THE HAIR, UNDERGROUND RAILROAD, THE EMERGENCY, DOOM.
BIFFY CLYRO...
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